Grade with confidence knowing your reference monitor is calibrated to Rec. 709, DCI-P3, or Rec. 2020 — whatever your delivery demands. By offering the best monitor calibration for videographers, PerfectChroma eliminates the guesswork between your grading suite and the audience's screen. Furthermore, you will always deliver accurate results.
A calibrated reference monitor is the foundation of a repeatable, client-approved grade. Here's how PerfectChroma makes it effortless from start to finish.
Select Rec. 709 for broadcast, DCI-P3 for cinema, Rec. 2020 for HDR streaming, or load a custom standard from your facility's spec sheet.
PerfectChroma builds a precision 3D LUT matched to your chosen EOTF (gamma 2.4, PQ, or HLG) and uploads it to the display hardware in under 60 seconds.
Use DaVinci Resolve, Premiere Pro, or Final Cut Pro knowing your display is a truthful reference — not an approximation.
Export a calibration certificate for OTT platform compliance (Netflix IMF, Disney+ TM-2471) alongside your final masters.
Lab-grade accuracy for your grading suite — whether you're working on a $200K Sony BVM or a prosumer OLED panel.
Instantly switch between Rec. 709 SDR, DCI-P3 (D60), Rec. 2020 HDR10, and HLG presets. Each preset loads a validated 3D LUT in under 3 seconds — no re-measurement needed.
Validates your display's actual electro-optical transfer function against the target EOTF curve — critical for HDR10 master monitor certification and avoiding PQ clipping.
Generate signed, timestamped calibration reports aligned with Netflix Originals Technical Requirements and Disney+ Delivery Specifications for IMF and DCP submissions.
Calibrate and manage multiple displays simultaneously — reference monitor, client monitor, and secondary review screen — all tracked independently with matching LUT sets.
In the post-production pipeline, your reference monitor is the single source of truth. Therefore, imperfect gamma tracking or color temperature drift can cause colorists to make erroneous adjustments to skin tones and cinematic LUTs. Because of this, acquiring the best monitor calibration for videographers is a must. PerfectChroma ensures compliance with critical broadcast and cinematic standards, including Rec. 709, DCI-P3, and Rec. 2020.
Moreover, by generating sub-1.0 ΔE hardware-integrated 3D LUTs, the software perfectly maps your display’s Electro-Optical Transfer Function (EOTF) to your target standard. This prevents shadow crushing in SDR and ensures accurate peak luminance mapping for PQ (Perceptual Quantizer) curves in HDR10 and Dolby Vision grading workflows inside DaVinci Resolve or Premiere Pro.
For instance, failing a network Quality Control (QC) check due to gamut excursions or black level irregularities is a costly and time-consuming error. Consequently, PerfectChroma's verification reporting acts as an insurance policy for your coloring suite, generating detailed PDF compliance reports. These reports prove your monitor was operating within broadcast specifications at the exact moment the master file was rendered.
Ultimately, whether you are coloring a commercial for web distribution, a documentary for Netflix, or a feature film for theatrical release, our advanced patch measurement system verifies your entire color volume. Stop guessing how your video will look on the client's screen, and start delivering mathematically proven, color-accurate masters.
From broadcast Rec. 709 to cinematic DCI-P3 — your reference monitor, always calibrated, always certified.
